Friday, March 30, 2007

Seven and fifteen

Essay- mysteries


“Five to one, baby
One in five
No one here gets out alive, now
You get yours, baby
I’ll get mine
Gonna make it, baby
If we try”

Part lyric from Doors song Five to one

“vox populi, vox Dei”

An old Latin proverb quoted by William of Malmesbury in the 12th Century - The voice of the people is the voice of God


Seven and fifteen

A peanut we are told is not a nut as one might suppose, but a legume. Things and people, much too often, masquerade in this fashion. It takes sleuthing and discernment to catch true meanings. Also a smidgen of the much vaunted scientific temper and maybe a trace of taste. The philosophical and mystically inclined tend to waffle, and might just compound matters might they not? Research clarifies the butter but can’t always ensure the intended results. I mean look at Rowan Atkinson saying he will do no more Mr. Bean after Mr. Bean’s Holiday (UK release today). I ask you, can anyone else do Mr. Bean? You might as well accost the putty-faced misfit after the screening in Cannes and lecture him soundly on how a blond Bond can sometimes best a dark haired one. The analogy being think what symmetry and sense can do to the future of Bean. The Americans might realise that they have a language in common. Atkinson could go on to, shall we imagine it - Baldrick Returns – strictly for the formerly infected on Black Adder.

After all, unintended results have a life of their own. Irving Wallace, who sold over 250 million copies of his 16 novels and 17 works of non-fiction wrote a book called The Seven Minutes in 1969. And in 1971 it was made into a film directed by Russ Meyer, famous and beloved for his mammary fixations. What 20th Century Fox was thinking, hiring the usually X rated “Breastman Extraordinaire” to direct, one can only conjecture. The Seven Minutes received a demure R rating, weighed down probably by a screenplay with an actual story, a sure-fire kiss of death for a Russ Meyer film. After all, Meyer’s genre ran to cult classics like Beyond the Valley of the Dolls, Faster, and Pussycat! Kill! Kill!, Motorpsycho and Mondo Topless.

Irving Wallace, as we all remember, was big on research and turned out wonderfully plotted best sellers. The Seven Minutes wasn’t, despite its reputation, about a woman’s sexy imaginings during seven minutes of heaving sex. It dwelt upon the impact of pornography on a young lad who rapes a woman. It was rumination on some of the possible excesses of freedom of expression, all turned into a courtroom drama- a Grisham 20 years before Grisham. The book sold millions based on its sexy cover and the Wallace brand. The movie flopped despite Meyer and his sexcapading predilections. And the public kept looking for smut that wasn’t there with a doggedness that was impressive.

It’s like an adolescent reading Ulysses (James Joyce) or enduring the film. Molly Bloom it is. Porn it is not. Never mind the adolescent. People on the street know what Joyce was rapping about because they too have consciousness that streams. Underestimate da populi at your own peril. In The Seven Minutes they were actually looking for another bit of news. Confirmation, probably, from the toffs-who-research about the golden mean that is seven in number.

This rumoured paradigm, predictably, came as a shock to some - an interminable, tentacular, teeth-grittingly longwinded “average” for the whoops-a-daisy brigade. To others, more Johnny Deppish/Erroll Flynnish in demeanour and comportment, better swordsmen all, seven minutes seemed ludicrously brief. So anxiety and pride coexist and never mind that Irving didn’t even put in seven pages of description to sell The Seven Minutes. The damage, as they say, had been done. Seven minutes gives you pass marks in the sack.

And fifteen minutes, as we all know, is what everyone gets by way of fame or er notoriety. For this fifteen you need to be yourself and take your pick in reinvention and putting a lid on. Or, if you prefer, you can give Pandora a run for her fifteen in the sun. It’s all wonderfully democratic up to fifteen minutes. Any longer than that and you really have to earn it. It’s the same in the sack. But the extended play starts after seven.

Friday 30th March 2007
( 755 words)
By Ghatotkach

This and all original essays on GHATOTKACHSERIES are copyright 2005-2007 by Gautam Mukherjee. All Rights Reserved.

1 Comments:

Blogger MissIsh said...

just wanted to say i've been reading some of your stuff on and off and i'm loving it all.
This piece particularly made me chuckle (working on Joyce and SoC at the moment!)
Loved the Faulkner piece too, and serendipity.
Just wanted to say hi and lots of love,
Isheeta

10:45 AM  

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